1934 Shanghai, eleven seconds before the last tram arrives

Vertical cinematic chest-up close-up portrait, framed from the collarbone up, 1930s Shanghai rainy night tram stop. Opens immediately on a beautiful elegant Chinese woman in a deep emerald silk qipao with gold piping and high mandarin collar, finger-wave hair, pearl earrings, face in soft three-quarter profile under a warm wet streetlamp, rain falling. Slow orbit around her; behind her, out of focus, the warm round headlight of a vintage tram glides in as bokeh and steam drifts across; she slowly turns her head toward the light. Teal and amber grade, anamorphic bokeh, film grain, Wong Kar-wai mood. Tight framing: hands never in frame. Background fully blurred, no signs, no destination boards, no text or letters anywhere. Sharp from first frame.